Don’t Let Your Inner Critic Be Lazy
Make your inner critic work for you, instead of against you, by challenging lazy thinking and asking the right questions.
Generating and refining a concept for a painting, tools and strategies for design, planning and evaluating work-in-progress.
Make your inner critic work for you, instead of against you, by challenging lazy thinking and asking the right questions.
This article is the fifth in a series about creating paintings with more emotion, power and personal meaning. Here are links to the first four: Is My Painting Done? Are You a “Photocopier”? There’s a Better Way The Lazy Way to Build Painting Confidence Painless Watercolor Planning, Part 1: Exploratory Drawing I’ve broken up my…
This article is the fourth in a series about creating paintings with more emotion, power and personal meaning. Here are links to the first three: Is My Painting Done? Are You a “Photocopier”? There’s a Better Way The Lazy Way to Build Painting Confidence I know that taking the time to do some planning would…
This article is the third in a series. The preceding articles are: Is My Painting Done? Are You a “Photocopier”? There’s a Better Way In response to the last article, a reader made a couple of excellent points about why it’s sometimes difficult to deviate from a reference photo: lack of confidence, and the planning…
This article is the second in a series. To read the first article, “Is My Painting Done?”, click here. In the next few articles in this series, I’ll introduce some ideas you can use to help you plan paintings that are more expressive, powerful and meaningful to you. What do I mean by being a…
This article is the first of a series on creating more powerful, personal and expressive paintings. When I teach watercolor classes or workshops, there is often a moment where a student comes up to me, thrusts a painting into my face and demands: Tell me what’s wrong with it. What do I need to fix?…
Some strategies I use to manage the overwhelming amount of information when painting on location, so sketching enhances my enjoyment, instead of raising my stress level. And so I have a better chance of coming back with photos and sketches that I can actually use to create satisfying, personally meaningful paintings.
Every time I lead a class or workshop, more than half of the participants mention the goal of “loosening up”. Here’s a skill-building exercise to help you move in that direction.
Want your paintings to look unified? It helps to combine “things” into larger shapes, and then use smaller shapes to (partially) separate them. Here’s an exercise to help you practice. First, set up a still life with a couple of simple objects. Avoid anything that has a lot of pattern, texture, reflections or complicated edges—you…
That pesky inner critic! I don’t know about you, but simply telling her to sit down and shut up doesn’t work for me. Oh, I can get her to leave me alone. It just doesn’t lead to paintings I’m happy with. I need my inner critic. We all need time to explore, experiment and follow…
Are you a control freak when you make art? Or does your inner child go wild? Most of us want to make art that combines structure and spontenaity, but that’s not easy! In workshops and classes at all levels, when we go around the room and talk about what we want to get out of…
Do you ever make mistakes when you’re working in your journal? Or doodling? Ever put down a wobbly line? Smear some ink? Drip watercolor where you didn’t mean to? How does it make you feel? Perhaps a bit aggravated or disappointed? Do you ever want to tear a page out of your journal because it…
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